Theres an awareness of the differences between a novel and a script. A novel might be a hundred thousand words; a screenplay is twenty thousand words. Eighty percent is gone off the map. That’s the first thing you have to realize. Whenever I work on a film I have three rules, only three. I tell them to every screenwriter. I say, ‘Lets retain the spirit and the intent of the overall story.’ If you look atThe Lucky One, what was the intent? Its a journey. Its a healing journey for both of them that they undertake. This is what it’s really about. Whats the spirit of the story? It should feel real. These should be characters that you feel like you can know. They should have honesty and integrity, Sparks said.
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I didnt write that line, Sparks admitted and laughed. But you know when it works. That is not from the book. That was the brilliant screenwriter. You know when things work. Sometimes it takes a while to get there. Often when Im writing a passage its more about the exact mood that Im trying to create. Youll put something down and youll say,考研论坛. ‘Thats not exactly right,’ so theres a lot of tweaking. Sometimes youre not even sure what kind of mood youre trying to make. Its like, what did that mean? Was there a sense of melancholy? What was the desperation? There was a search for meaning in the way he said it in this particular line. It might take you a little bit — ‘Gosh, was it melancholy or desperation? No, no, no, it’s a search for meaning,’ and then you try to find the exact right words to use. Then you rely on the director and the actor to pull it off. So to me its always more about the meaning than the specific word.
For me it was fine. In the end you really want to make the best film that you can, and in the reality of the film world you have things like budgets. If you film here you can do other things that you might think are beneficial to the story. It’s the same kind of life though. Really that was the spirit and intent of the story, and I thought that was captured, Sparks told Movie Fanatic.
That’s what they look like. They look like young men. They dont look thirty-eight or thirty-nine. Its not that kind of war these days. These are kids who join right out of high school. Thats the ct. Most of them are nineteen, so you wanted someone believable about that. The great thing about working with Zac was he brought so much passion and enthusiasm to his character as believable as possible. Part of that is because a lot of Zacs friends are in the military. The ones he went to high school with, theyre in the military too. Hes like, ‘Theyre all my age essentially.’ Yet he was not in the military, and the work he put in it was not easy. He was getting up at three. He grew up in this role. Hes a young man in this role. I couldnt have been happier. To me he looks exactly like this, and his performance was incredible.
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Proof of the partnering that makes everything better is lines such as Finding your picture is like finding an angel.
You did that in the story and in the character, so you say, ‘Spirit in the intent of the story, spirit in the intent of the character, and then make the best film that you possibly can. Screenwriters love to hear this. Theyre like, ‘Oh thats great, so I can perhaps combine this character. I can takeA Walk to Remember, which he did, which was a novel based in 1954, and I can make it contemporary.’ Why? Because it hits rule number three: the best film that we possibly can, so it will be more relatable to the kids these days.
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Nicholas Sparks is an internationally bestselling writer-both on the screen and in the books! So …

The man who featured Ryan Gosling in his career- role inThe Notebookwas keenly aware of what has transpired onscreen withThe Lucky Oneand Zac Efron. It is a role-meets-actor match made in heaven. I had no image in mind as I wrote the novel. You really wanted to have someone though that felt very real to me, that felt very honest. Thats the most important criteria. I live in Eastern North Carolina, so were literally surrounded by bases. Ive got Cfilm scriptamp Lejeune, which is the East Coast version of Camp Pendleton and its thirty minutes to the south. Ive got Cherry Point, which is the East Coast version of El Toro, its fifteen minutes to the east. I have Fort Bragg, which is home of the 82nd Airborne, the biggest base in the world. Thats about an hour to the west. Then Ive got the The Lucky One is Nicholas Sparks: An Author Interv4th Fighter Wing. I am surrounded. Everyone talks about base closes. Im like, ‘When?’ They havent closed the base in North Carolina ever. Theyve only expanded them. It is ubiquitous to that area. These people are my neighbors in my town. They go to the church. They go to the school I founded, so you see them. I used to coach at the local public high school. I coached track and field. Five of my former athletes are in the military, and then they come back. Theyre kids. These kids are twenty. Theyre twenty-one. Theyre eighteen. Zac was twenty-four, so to me Zac looked exactly like these kids. So there was a tremendous amount of believability to who he actually was, Sparks said.
The Lucky One is Nicholas Sparks: An Author Interv,
Screenwriter Will Fetters went on and on in our interview (premiering later this week) about the blessing of collaborating with Sparks coupled with the brilliance of working with an author of Sparks talents. The author found a brotherhood of brilliance with Fetters.
That’s one of the things that I think make these stories work very well, is that they can be anywhere. It could be in North Carolina, but it could be in Northern California, it could be in Iowa. This really couldve happened anywhere so to speak, and thats what youre trying to do, is to create a world where everyone can feel as if it could’ve happened to them.
The Lucky One Trailer

Writer Nicholas Sparks had to leave his native North Carolina to tell the page-to-screen story forThe Lucky One. Given the storyline, moving the romantic action to Louisiana was a sacrifice the bestselling author was more than willing to make.
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